
The Equitorial is an online literary magazine curating international poetry written by undergraduate students. Their second issue was just released and can be found here.
The Equitorial is an online literary magazine curating international poetry written by undergraduate students. Their second issue was just released and can be found here.
In the mood for a story about a scam artist posing as a man of God? Read the piece that novelist Karen Russell describes as “a mutant menagerie of literary fiction … an oasis for weirdness and wonder.” You can find The Complete Miracles of St. Anthony: Definitive Edition with Previously Unpublished Material HERE on Conjunctions.
A prequel to this piece, Beachcombers In Doggerland, was published in The Sun. Get the full story, read both!
Check out new updates to the Spring quarter 2023 undergrad course schedule under Courses in the menu.
This is a virtual event hosted on crowdcast.
Charis welcomes Francesca Royster in conversation with Alexis Pauline Gumbs for a discussion of Choosing Family: A Memoir of Queer Motherhood and Black Resistance. A brilliant literary memoir of chosen family and chosen heritage, told against the backdrop of Chicago’s North and South Sides.
Under the resources tab in the menu you can now find a list of litmags that publish creative works by undergraduate students- everything from poetry, to prose, to mixed media!
Follow this link and start sending out your work!
Slag Glass City is a DePaul magazine of the urban essay arts. We are a creative nonfiction and multidisciplinary media journal engaged with sustainability, identity, and art in urban environments. Our area of concern is the livable city, but our interpretation of this language, more familiar to urban planners, geographers, and city theorists than to artists, is multifaceted. We are interested in post-industrial greening of urban spaces—from rooftop gardens to elevated bike trails to vertical farms—but we are equally enthralled by interrogative art and performance that values social justice and queerness, reinvents form, and honors the green human need to pursue pleasure, beauty, and joy. Slag Glass City publishes continuously on the web—posting something new every month—as well an annually in miniature print form. We publish all shapes and disciplines of nonfiction arts, including: stories, reportage, essays, lyrics, photographs, visual arts, film and video, digital and audio works, performance, and new web-friendly forms we’ve yet to imagine.
Editorial interns for Slag Glass City will assist with submission deliberation, correspondence, light editing and proofreading, submission solicitation, social media and book festival promotion, website updating, working with the spring magazine class editorial board, as well as undertake other administrative tasks. Slag Glass City requests a commitment of 10-20 flexible hours a week. The internship is unpaid, requires concurrent enrollment in ENG 392 or ENG 509, and offers hands on learning in the field of editing and creative writing magazine work, under the direction of the editor, Barrie Jean Borich. Interns attend twice weekly meetings, on Zoom or on campus, as well as meeting asynchronously on Teams—and otherwise are able to make their own work schedule.
To apply please send Professor Barrie Borich, bborich@depaul.edu, an email describing your interest and experience.
Check out the magazine at SLAG GLASS CITY
A few edits to course listings and descriptions were made due to my own oversight. Make sure to look into the newly listed courses in Comparative Literature:
ENG 389/ Russian Short Story/ In Person/ Liza Ginzburg
The study of a representative selection of Russian short fiction
concentrating on the great 19th-century masters such as Pushkin,
Gogol, Turgenev, Tolstoy, Chekhov, Gorky, and Korolenko.
M/W
4:20-5:50
&
ENG 389/ Japanese Women’s Literary Masterpieces/ In Person/ Heather Bowen-Struyk
The course begins over 1000 years ago with masterpieces of world
literature including The Tale of Genii and classical poetry, traverses
through the modern period of New Women Bluestocking and arrive
in the 21st century to reflect on the richness of Japanese women’s
writings across time and space. * No prior knowledge of Japanese
language, history or culture necessary.
M/W
2:40-4:10