Congrats to Professor Kathleen Rooney, who is the recipient a Louise de Merrilac Woman of Spirit and Action Award from DePaul!
Join two of our very own DePaul English professors, Richard Jones and Chris Green, on Monday, November 4 at 6pm in Arts & Letters 414 for a reading and conversation!
by Taylor Spies, contributor to the Underground
The Gamma Psi Chapter of Sigma Tau Delta, the National honor society for students majoring in English, held a Gothic and Horror Fiction Open Mic Night on the third floor of Arts and Letters Hall on Monday, October 30th at 6pm. The event was small, but the intimate environment was perfect for ghost stories.
Chapter President Bintou Sy began by greeting those that had gathered and introducing Associate Professor and Director of the Undergraduate Program, Jennifer Conary. Conary gave an overview of the origins of the gothic novel and how we interpret the genre today. It was easy to tell that Conary was passionate about her topic, and her warm voice invited the audience to become intrigued by the gothic, stating, “Gothic novels offer physical manifestations of psychological horrors or fears.”
The first reader, Hannah Cantafio, read a short story from the novel Haunted by Chuck Palahniuk, published in 2005. “Dog Years” follows a rich and mysterious wheelchair-bound man. Her words came quick and clear, painting the picture the author created.
The next reader was Assistant Director of Graduate Programs, Janet L. Hickey. Hickey read from The Book of Irish Weirdness by Mairtin O’Griofa, published in 1997. The book showcases short stories by well-known authors. Hickey read “The Judge’s House” by Bram Stoker. This was quite a step back in time as the story was originally published in 1891. However, the story had gotten no less eerie with age, and, followed a student renting out a house rumored to be haunted.
Assistant Professor Bill Johnson González read the next piece, a chapter from The House on Mango Street by Sandra Cisneros, published in 1984, titled “Geraldo No Last Name.” This piece varied strikingly from the traditional Gothic. González expressed his attempt to find a piece of gothic writing by someone with a Latino or Hispanic background.
Associate Professor and Chair Michele Morano gave the final reading. She read excerpts from a short story by William Faulkner, published in 1930, titled “A Rose for Emily.” This story follows an eccentric lady whose behavior grows increasingly odd as she ages. She never marries, refuses to pay taxes, and dies in the same old house she was born in. It isn’t until after she has been buried that her house is investigated and the truth about her past comes out. The story’s shocking conclusion was the perfect ending to the night. The stories read drew the audience in. One became aware of Halloween’s approach, the dead leaves swirling outside, and the quickly growing darkness.
Every quarter, DePaul’s Writers Guild hosts an open mic Aloud!
Thursday, November 9, 7 PM
LPC Writing Center
2320 N Kenmore SAC 212
Chicago, Illinois 60614
Come share your work and/or listen to others read, celebrate DePaul’s writing community, and make new friends!
Enjoy one last blast of prose before true winter sets in! GERALD BRENNAN, CRIS MAZZA, ALAN CROSS, CORNELIA SPELMAN. Come early if you want to grab dinner and a good seat.
Sunday Salon Chicago
Sunday, November 19, 7 PM
1958 W Roscoe
The Open Door series presents work from Chicago’s new and emerging poets and highlights the area’s outstanding writing programs. Each hour-long event features readings by two Chicagoland writing program instructors and two of their current or recent students. November’s Open Door Reading presents Chicago State University’s Kelly Norman Ellis and her student April Gibson along with DePaul University’s Kathleen Rooney and her student Andrea Rehani.
Tuesday, November 21st at 7:00 PM
The Poetry Foundation
61 W. Superior
Dr. Angela Bourke, author of The Burning of Bridget Cleary and Maeve Brennan: Homesick at the New Yorker, will examine the disruptive effects of Irish women’s voices from the 18th century to the present. Focusing on representative individuals across the period, Bourke will begin with oral lament poetry before turning to the modern era and figures such as Bridget Cleary, Molly Ivors in James Joyce’s “The Dead,” Irish-born Maeve Brennan of The New Yorker, and contemporary Irish poet Nuala Ni Dhomhnaill.
Wednesday, November 8, 4:30-5:30 PM
Richardson Library, Room 300
Bourke has published creative and non-fiction work in both English and the Irish language. She teaches at UCD and has been a visiting professor at a number of American universities. Bourke was a co-editor of volumes 4 and 5 of the Field Day Anthology of Irish Writing and is a member of the Royal Irish Academy.